Mad Rush to Here
...it always begins with the body.
Always:
Always movement, breath, silence, odor, maybe,
Maybe another gently teasing over there, another and
Another just outside of things you can be sure of,
Of things like love or its end.
...always music, dancing: elements of obliging.
Always:
Always a meta-thing but the hows -
How to dance, how
To listen - depend on where you hear and where,
Where a rhythmic entraining, inside the walls,
Inside dull straight lines of culture and flat screen flatening
Everything, even love, to only now. Swipe. Left.
...after the golden start you both walked within, a less brilliant golden
After:
It had been always golden though- the grassy field, maybe,
Maybe a gold-hued night sky, maybe,
Maybe under sunlight warming your skin
Or her smile - what's the difference, her smile, your skin? -
A muscle stretched, maybe
Maybe the crunch of gravel beneath as
You were walking, there, now here (and there) you know:
Look at your foot.
There it is, there you are,
You doing something
Or here at the same and in the same
Entrained, entangled, necessary inevitability.
Of one single moment worth all the rest.
Like one rose opening to a light,
Already there before its un-budding.
There's always a quiet whirling after the silence,
After the love has floated on,
Pieces of one smile, one whole but
One that plays hide and seek,
Appearing behind a thinning haze
Like the rose flower - white or red or yellow or, oh,
Any color might do.
Any at all, something to hold onto,
To keep, to remain with you or
You within it. As much as you can.
Warming your skin even when her smile has gone.
...it begins with the body,
Not with everyone but most don't need that - after all.
Many won't ever even feel it that way - at all, not always.
A neglected thing re-found, a sort of affordance of your self
Returned, re-placed within. A Gibson-like thing
For the Gibson-like.
How too little attention is payed,
Really,
To changing affordances of self within affordances
Of the body, almost. Always. Building.
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